Why our cultural stories matter

Why our cultural stories matter

"A person will worship something, have no doubt about that. We may think our tribute is paid in secret in the dark recesses of our hearts, but it will out. That which dominates our imaginations and our thoughts will determine our lives, and our character. Therefore, it behooves us to be careful what we worship, for what we are worshipping we are becoming." ~ Ralph Waldo Emerson I have often written on the topic of cultural stories, but I am told I have never explicitly addressed on this blog why I feel they are so critically important in our struggle for a future. I am on record as stating that climate change and peak oil represent perhaps the most urgent and significant forces shaping our age, yet in an important sense even these trends are only symptoms of an underlying issue. They are consequences of the choices we have collectively made and continue to make, and these choices are formed by our understanding of the world – by our stories. It is the stories that we tell ourselves about life – both individually and in our wider cultures – that allow us to make sense of the bewildering array of sensory experiences and phenomena that we encounter. They tell us what is important, and they shape our perceptions and thoughts. This is why we use fairy stories to educate our children, why politicians present both positive and negative visions and narratives to win our votes, and why advertisers pay such extraordinary sums to present their perspectives. As John Michael Greer put it, "When people treat, say, fizzy brown sugar water as a source of their identity and human value, their resemblance to fairy-tale characters under an enchantment isn’t accidental" Our cultural stories help to define who we are and they strongly impact our behaviours. One example of a dominant story in our present culture is that of “progress” – the story that we currently live in one of the most advanced civilisations the world has ever known, and that we are advancing further and faster all the time. The definition of ‘advancement’ is vague – though tied in with concepts like scientific and technological progress – but the story is powerfully held. And if we hold to this cultural story then ‘business as usual’ is an attractive prospect – a continuation of this astonishing advancement. The problem with stories comes when they shape our thinking in ways that do not reflect reality and yet we refuse to change them. The evidence might support the view that this ‘advanced’ culture is not making us happy and is rapidly destroying our environment's ability to support us, but dominant cultural stories are powerful things, and those who challenge them tend to meet resistance and even ridicule. Yet as Richard Heinberg comments, "Once we lived with a sense of our own limits. We may have been a hubristic kind of animal, but we knew that our precocity was contained within a universe that was overwhelmingly beyond our influence. That sensibility is about to return. Along with it will come a sense of frustration at finding many expectations dashed." The developing physical reality of 'Peak Climate' will surely change our cultural stories, whether we like it or not, but we can choose whether to actively engage with this process or to simply be subject to it. If voting changed anything... The powerful cultural story that "real change is impossible" makes it seem inevitable that current trends will continue inexorably on, yet in reality cultural stories are always shifting and changing, often subtly, but sometimes dramatically. Given their importance, then, we should pay close attention when Sharon Astyk argues that there are certain key historical moments at which it is possible to reshape cultural stories rapidly and dramatically, by advancing one’s agenda as a logical response to events: "I think it is true that had Americans been told after 9/11, “We want you to go out and grow a victory garden and cut back on energy usage” the response would have been tremendous – it would absolutely have been possible to harness the anger and pain and frustration of those moments, and a people who desperately wanted something to do" As Naomi Klein highlights in her book The Shock Doctrine, this insight has until now mostly been used to advance cultural stories that benefit a few at the expense of many. Astyk though contends convincingly that as understanding continues to spread, there is no reason why we could not challenge those voices and ensure that we face the next 'threshold moment' with a dominant narrative linking it to the energy and climate context (to which it will almost inevitably be related) and so urging the kinds of attitudinal and lifestyle changes that reality demands. Our work in spreading awareness and understanding until then could give us that chance. Buy Consume Waste! This article is a slightly modified extract from my forthcoming book The Transition Timeline, produced in partnership with the Transition Network and set for publication in March 2009 and available now, published by Green Books.
Why do they do it?

Why do they do it?

Since my earlier review of Burn Up I have discovered a comment on the film posted yesterday by Jeremy Leggett, one of the few with any media profile to openly discuss the interplay of peak oil and climate change. In his piece Leggett asks: "Why do the carbon-club lobbyists and contrarians do what they do? What is in their heads as they go about their work? Surely they must see the power of the emerging evidence that the threat is real, and massive? ... I don't have an explanation." This is a question I have devoted a lot of thought to, and I will venture an answer. Those who are benefiting most from the current 'business as usual' in the global economy are, by definition, extremely wealthy, and thus very influential. Yet it is these people for whom it may be hardest to acknowledge the reality of climate change and energy depletion. The reason is that everything and everyone around them tells them that they have made an incredible success of their lives. Their ability to acquire whatever material possessions they desire, their exclusive social groups, their desirable romantic partners and respectful business colleagues - so much in their lives speaks to them of their triumphant prosperity. Quite apart from the challenge of changing the habits of thought and reasoning that have appeared to serve them so well, what we are asking is that they shift the story they hold of their own life from one of heroic progress and success to one in which they are complicit in the end of civilisation and perhaps even higher life on Earth. Nighttime of the soul We should not underestimate the level of commitment and bravery such an internal transformation requires, especially when their peer groups provide them with all the encouragement in the world to resist it. And so we should not be surprised when many instead indulge in desperately contorted logic or straight-out denial (and bring their considerable resources to bear) in the attempt to resist losing the glorious tale of themselves they worked so hard to earn. Yet despite all this, there are those who have braved the dark night of the soul. Ray Anderson, the founder and chairman of vast multinational corporation Interface Carpets has been telling his story to fellow industrialists:

"One day it dawned on me that the way I'd been running Interface Carpets is the way of the plunderer. Plundering something that is not mine, that belongs to every creature.

I stand convicted by me, myself alone, not by anyone else, as a plunderer of Earth, but not by our civilisation's definition. By our civilisation's definition I'm a captain of industry, in the eyes of many a kind of modern-day hero."

He deserves our respect for embracing this difficult epiphany (he has described the experience as "the point of a spear into my chest"), and if we can better understand the deeply personal challenges facing his fellow plunderers then perhaps we can help them in changing the story of their lives, so that they may come to measure their success very differently, but again become heroes.
Of music, movement and the meaning of life

Of music, movement and the meaning of life

Those of you who know me personally will be aware that the indescribable exhilaration of physical movement to music (more commonly termed 'dancing') is my greatest release and joy. Over the past couple of weeks I have been much enjoying the latest issue of Resurgence magazine, which focuses on the theme 'Music for transformation'. I have learnt, to my delight, that one of the founders of quantum mechanics, Werner Heisenberg, told his students that they should see the world as made of music, not of matter (by which, as far as I understand it, he meant to emphasise that reality is process, not form). But in particular, a section of Mark Kidel's article Conversation & Crossroads set me tingling, and ultimately led me to consider how climate change challenges the very basis of Western thought. He writes: "Some of the most powerful - and healing - forms of music combine strict 'ways' of doing things with free expression and the possibilities of interpretation or improvisation... Wisdom and experience have suggested, in every corner of the world, that excessive self-expression is self-defeating and just as destructive as an over-zealous observance of rules and regulations. There is a need for a middle way which balances 'hot' and 'cool: the release of deep emotion with the articulacy and sophistication of formal aesthetic structures. Rock music, which has always been about partying and letting go and the realm of the Dionysiac, has fostered excess. This is in large part a 'return of the repressed' as the psychoanalytical tradition would put it; a reaction against the tight-arsed pleasure-denying credo of Protestantism, the dominant religious philosophy of the two main cultures, British and North American, that generated rock out of a complex marriage of black and white musical traditions. Whereas the enjoyment of pleasure was never frowned upon in the African context, it was set within a deeply rooted sense of ethical and aesthetic 'right behaviour' (as well as a strongly hierarchical community structure which held potential excess in check, and understood, in a highly sophisticated way, the need to balance creative self-expression with collective interaction and mutual support). In the African and African-American context, the dancer who goes into trance is always being controlled in some sense by a divinity or spirits, so there is an element of ritual theatre which contains the fragility of the individual ego. Similarly, at celebrations, no dancer hogs the floor for longer than a minute or two, reaching a brief climax, but not prolonging the transcendent thrill of near-ecstatic movement and expression beyond what is in some way 'safe' or acceptable in terms of strictly personal as opposed to collective expression."
This I find fascinating on a number of levels. Firstly, with direct reference to my own experience of dancing, I immediately recognise the distinction between the relief of cathartic individual expression and the wonder of contributing to, and subsuming oneself to, coordinated collective communication in the language of movement. But what I had never appreciated before was the way in which a community can hold an artist safe while he or she explores the wilder reaches of individual expression. As Kidel goes on to argue, the absence of this protective tradition around Western rock music can clearly be seen in the likes of Jimi Hendrix and Jim Morrison who, in the context of a culture entranced by individualism, found their lives overwhelmed and consumed by the awesome powers unrestrained artistic expression can unleash. But these ideas also have a wider application. Rock music has merely reflected Western philosophy and culture in its deification of the individual. When existentialism announced that 'existence precedes essence' - that we simply exist, and that any meaning we might then attribute to this 'blank slate' existence is solely created by ourselves and our own choices - we assumed that the 'we' in question must be our individual selves. Our culture moves further and further away from any sense of the collective, let alone concepts like oneness with Nature, or with all of creation, or even (Science forbid) God.
Forest light
And it is this philosophy of individualist existentialism - deeply embedded in our culture - that leads to the pervasive story that while some might find their meaning and fulfilment in trying to assure the future of endangered species, or disadvantaged humans, or even life itself, others may equally find theirs in greed, gluttony and destructiveness. For the true believer there is no contradiction here because there is no underlying meaning to seek - only individual constructs. Within the tenets of Western philosophy it appears a logically unassailable position - if everything is fundamentally meaningless and the freedom of the individual is simply self-evident, what possible reason could there be to cease doing whatever I may fancy? There seem to me to be two key answers to this question. The first is consequences. What I fancy now may not produce what I fancy tomorrow. If I choose to attach meaning or desirability to a reliable electricity supply, or food supply, then there are certain things I should really pay attention to.
Consequences
But the second is empathy. While we may feel less empathy with beings more different or distant from ourselves, few of us would claim to feel no empathy at all. There is perhaps a sliding scale from total individualism to the sense of oneness with everything which is described in many of the Eastern mystical traditions, as well as among earlier representatives of the Abrahamic religions like Christianity. It is no coincidence that we tend to find individualists despoiling our common environment, and those at the holistic end of the scale defending it. Existentialist individualism argues that one's position on this scale is a fundamentally meaningless personal decision. Our innate sense of empathy might whisper otherwise, but our scientific understanding of collective consequences like climate change forces us to recognise that even if individual freedom is our sole aim, we still have to change course, as the consequences of our actions will seriously curtail the future choices facing both ourself and the rest of life on Earth. Viewed from this perspective, climate change represents the death of passive individualism as a coherent philosophy. If we don't realise that soon it will also bring the deaths of all the coherent philosophers! So when Kidel speaks of the highly sophisticated understanding African cultures have of "the need to balance creative self-expression with collective interaction and mutual support", he is not just talking about a better way to dance, he is talking about the very wisdom we need to chart a sustainable future for life on Earth.
Reinventing collapse

Reinventing collapse

As George Carlin once said, "they call it the American dream because you have to be asleep to believe in it". At the risk of this blog becoming 'review corner', that seems the perfect introduction to the book I just finished reading - Dmitry Orlov's brilliantly enjoyable Reinventing Collapse. This is a true work of dark optimism, with a fair dash of dark humour to boot. In it, Orlov draws on his experiences of the collapse of the Soviet Union to explore the future American residents like him are likely to face as the effects of the USA's disastrous economic, energy and foreign policies take hold. Orlov highlights that economic collapse is not, in fact, the unthinkable end of the world, but rather simply a new set of historical circumstances within which to exist. This is a critically important and inherently dark subject, yet the book is suffused with subtle humour, to the extent that at times you are not quite sure when Orlov is serious and when he's joking. The answer, invariably, is both. This deep humour is an apt way to stimulate further thought in the reader, and after the initial laughter I regularly found myself drawn into a contemplation that led me to Orlov's insights laying beneath. One subtext particularly intrigued me. While Orlov argues that the collapse of the US economy is inevitable (I would agree), and will surely be extremely difficult for most of those living through it, various asides implied to me that it could be considered in some respects desirable. This interests me in the context of the desperate urgency of the global climate change situation. As Dr. James Hansen chillingly put it in his recent paper, it is simply becoming a question of whether "humanity wishes to preserve a planet similar to that on which civilization developed and to which life on Earth is adapted". On his reading of the science (and I trust him) we now have less than seven years to decide. Bearing these stakes in mind, it is interesting to note that Chris Vernon of The Oil Drum quotes the statistic that Russia's carbon emissions fell 31% in the 5 years from the end of the Soviet Union in 1991. Ignoring for a moment all the other effects of that economic collapse, and considering that the weight of evidence tends to suggest that a 'great turning' of the global paradigm may not be likely to take place in time, I am led to ponder whether economic collapse is actually what we should be hoping for - does it represent our best bet for reducing emissions sufficiently quickly to retain a habitable climate on our planet? American parable I have written before about my belief that while climate change and peak oil represent the greatest direct threat facing humanity today, they are really only symptoms of a deeper problem. Humanity’s obsession with growth means that if we could wish away the excess CO2 in our atmosphere and generate unlimited oil we would still quickly find our unsustainable way of life pressing up against the next environmental limit, be it food shortages, air pollution, species extinctions or whatever. And in turn this growth obsession is a symptom of the underlying cultural stories and philosophies we use to make sense of our lives and find meaning. Our cultural stories define us and strongly impact our behaviours. An example of a dominant story in our present culture is that of “progress” - the story that we currently live in one of the most advanced civilisations the world has ever known, and that we are advancing further and faster all the time. The definition of 'advancement' is vague – though tied in with concepts like scientific and technological progress – but the story is powerfully held. And if we hold to this cultural story then 'business as usual' is an attractive prospect – a continuation of this astonishing advancement. Similarly the cultural story that “fundamental change is impossible” makes it seem inevitable. Yet even UK Prime Minister Gordon Brown admitted last week that, “The fact is that a low carbon society will not emerge from thinking of business as usual” The problem with stories comes when they shape our thinking in ways that do not reflect reality. The evidence might support the view that this 'advanced' culture is not making us happy and is rapidly destroying our environment's ability to support us, it might show that dramatic change is both common and inevitable, but dominant cultural stories are powerful magics, and those who challenge them tend to meet resistance and even ridicule. Nonetheless, my work now focuses on changing these dominant cultural stories - and thus changing our patterns of thought and behaviour - as I see this as the key to equipping our society to deal with the pressing challenges of climate change and peak oil. TEQs, the Transition movement and the various other initiatives listed on my links page (as well as this blog of course!) seem to me to provide the best possibilities for starting to shift our cultural paradigm. But perhaps this effort is too little too late? And perhaps by trying to move our society a little closer to long-term sustainability we are in fact just prolonging its existence, and thus prolonging its ability to pump emissions into our atmosphere... Four Truckers of the Apocalypse Does our need for a relatively benign climate logically dictate that we should be striving to bring about economic collapse sooner rather than later? It is an interesting question, and one that we may need to revisit, but my answer is still no. The human suffering caused by such a sudden collapse is overwhelming, and I believe that kinder options are still open to us. Personally, I believe we still have a chance. I still believe, firstly, that a long-term future for humanity is possible, and secondly that we have a shot at developing a society that responds in a humane way to the crises we face. And I will fight for that possibility for as long as I believe in it and still see a chance that it exists, even as the window of possibility continues to shrink. When it comes down to it, at the deepest level it doesn’t really matter to me whether or not it is probable that we succeed. As Tom Atlee has written, “Probabilities are abstractions. Possibilities are the stuff of life, visions to act upon, doors to walk through.” I will walk through the doors that inspire me. Of course, there is a side of me that asks "but what if we do reach a time when the evidence is clear - when there is no longer any chance of avoiding the devastation of our climate". If we were on the Titanic and we had already hit the iceberg there would be little point in trying to patch the hole as the waters raged in - so what then? Well, the trite answer would be that there's quite enough to worry about now without concerning myself with that. The more interesting answer comes back to what we believe life is fundamentally about, but that will have to wait for a future post. Oh, and just what does Dmitry Orlov suggest in terms of personally adapting to an economic collapse? Well, you'll have to read his book for that!