Why our cultural stories matter

Why our cultural stories matter

"A person will worship something, have no doubt about that. We may think our tribute is paid in secret in the dark recesses of our hearts, but it will out. That which dominates our imaginations and our thoughts will determine our lives, and our character. Therefore, it behooves us to be careful what we worship, for what we are worshipping we are becoming." ~ Ralph Waldo Emerson I have often written on the topic of cultural stories, but I am told I have never explicitly addressed on this blog why I feel they are so critically important in our struggle for a future. I am on record as stating that climate change and peak oil represent perhaps the most urgent and significant forces shaping our age, yet in an important sense even these trends are only symptoms of an underlying issue. They are consequences of the choices we have collectively made and continue to make, and these choices are formed by our understanding of the world – by our stories. It is the stories that we tell ourselves about life – both individually and in our wider cultures – that allow us to make sense of the bewildering array of sensory experiences and phenomena that we encounter. They tell us what is important, and they shape our perceptions and thoughts. This is why we use fairy stories to educate our children, why politicians present both positive and negative visions and narratives to win our votes, and why advertisers pay such extraordinary sums to present their perspectives. As John Michael Greer put it, "When people treat, say, fizzy brown sugar water as a source of their identity and human value, their resemblance to fairy-tale characters under an enchantment isn’t accidental" Our cultural stories help to define who we are and they strongly impact our behaviours. One example of a dominant story in our present culture is that of “progress” – the story that we currently live in one of the most advanced civilisations the world has ever known, and that we are advancing further and faster all the time. The definition of ‘advancement’ is vague – though tied in with concepts like scientific and technological progress – but the story is powerfully held. And if we hold to this cultural story then ‘business as usual’ is an attractive prospect – a continuation of this astonishing advancement. The problem with stories comes when they shape our thinking in ways that do not reflect reality and yet we refuse to change them. The evidence might support the view that this ‘advanced’ culture is not making us happy and is rapidly destroying our environment's ability to support us, but dominant cultural stories are powerful things, and those who challenge them tend to meet resistance and even ridicule. Yet as Richard Heinberg comments, "Once we lived with a sense of our own limits. We may have been a hubristic kind of animal, but we knew that our precocity was contained within a universe that was overwhelmingly beyond our influence. That sensibility is about to return. Along with it will come a sense of frustration at finding many expectations dashed." The developing physical reality of 'Peak Climate' will surely change our cultural stories, whether we like it or not, but we can choose whether to actively engage with this process or to simply be subject to it. If voting changed anything... The powerful cultural story that "real change is impossible" makes it seem inevitable that current trends will continue inexorably on, yet in reality cultural stories are always shifting and changing, often subtly, but sometimes dramatically. Given their importance, then, we should pay close attention when Sharon Astyk argues that there are certain key historical moments at which it is possible to reshape cultural stories rapidly and dramatically, by advancing one’s agenda as a logical response to events: "I think it is true that had Americans been told after 9/11, “We want you to go out and grow a victory garden and cut back on energy usage” the response would have been tremendous – it would absolutely have been possible to harness the anger and pain and frustration of those moments, and a people who desperately wanted something to do" As Naomi Klein highlights in her book The Shock Doctrine, this insight has until now mostly been used to advance cultural stories that benefit a few at the expense of many. Astyk though contends convincingly that as understanding continues to spread, there is no reason why we could not challenge those voices and ensure that we face the next 'threshold moment' with a dominant narrative linking it to the energy and climate context (to which it will almost inevitably be related) and so urging the kinds of attitudinal and lifestyle changes that reality demands. Our work in spreading awareness and understanding until then could give us that chance. Buy Consume Waste! This article is a slightly modified extract from my forthcoming book The Transition Timeline, produced in partnership with the Transition Network and set for publication in March 2009 and available now, published by Green Books.
Oiligarchy – The game!

Oiligarchy – The game!

Despite the cute hypothesis that in doing so I risk damning the human race to eternal underachievement, I'm going out on a limb today and encouraging computer gaming. I fancy the entertainment value of Oiligarchy might just do as much to shift the cultural stories around peak oil as a hundred carefully-crafted essays. It's free, easy, doesn't take long to play through and it might just raise a smile or two! Give it a go below, or here. Edit - over 1.5 million plays in the first month since launch! (you may need to wait a minute or so for the game to load - it will appear below)
Burn up

Burn up

I have just watched the BBC's outstanding thriller Burn Up, starring Rupert Penry-Jones, Marc Warren, Bradley Whitford and Neve Campbell (trailer available here). It is a dramatic account of the intrigue, betrayal, sex and violence surrounding characters in the oil industry, international diplomacy and the environmental movement in the build up to the international conference that will decide on the successor to the Kyoto Protocol. For those who haven't yet seen it, be aware that the discussion below the cut contains spoilers. Right, so you've seen it now - what did you think? Personally, despite the supposedly 'stellar' cast I thought some of the acting was a bit below-par, but I was shocked in the best possible way by the direction the script took. Against all my expectations of a prime-time major channel drama this was a fascinating attempt to engage with and dramatise the over-riding tension of our times, between the depletion of the fossil-fuel resources which fuel our globalised way of life, and the growing consequences of the emissions those fuels produce. It was great to see the scientist in the film stating that we have only 5-10 years to avoid irreversible runaway climate change - to me that is the bottom line - but the section that particularly fascinated me was the ending. Burn Up One man alone ends up holding incontrovertible evidence that Saudi oil production is in decline, and so that Peak Oil truly is already in the past, and he faces a dilemma. Does he tell the world, so that we can start work in earnest on the transition to a low-carbon future, or does he keep it to himself, since he knows full well that this information would spread panic throughout the financial markets, plunging us into global economic depression, prompting energy wars and causing suffering throughout the world. His dilemma represents the very real tension our world faces. Our global economies are dependent on both growing supplies of accessible fossil fuels and a stable climate, so we know that our carbon-intensive way of life will end, one way or another. Yet we have now left it too late for a gentle, gradual transition to a low-carbon economy, so we can see that the crash of our existing systems, when it comes, will be painful. This creates an instinctive desire to put it off as long as possible, but the longer we persist in our current fuel-wasting, carbon-emitting ways the faster and more vicious the crash will be. We know we really ought to go to the dentist, but maybe we can put it off for just one more year... The pace of Burn Up seemed to speed up dramatically towards the end, and some friends less immersed in this field told me they had trouble keeping up with it all, but in essence it ended with our hero deciding to leak the information, and the credits rolled to the sound of radio news broadcasts apparently indicating the global economy falling apart as the implications of the reality-check reverberated around the world. I must confess that when I wrote last month about the thought that economic collapse might be the only remaining solution to global warming, the last thing I expected was to be encountering the idea on prime-time TV so soon. "The world doesn't have to go to hell Mack, just the economy. You're right, this information will cause the biggest powerdown we've ever seen. But you cut world manufacturing in half you cut CO2 emissions in half. Look it may not be tomorrow, it may not be next week, next month, who knows when but the crash is coming." The battle of cultural stories continues... -- ps Since writing this post, I have been pointed at this fascinating interview with the writer of Burn Up.
A clash of cultural stories

A clash of cultural stories

Thanks to the Oil Drum's Peak Oil Media Watch I recently came across this fascinating video clip from the "Fast Money" programme on American business news channel CNBC. In the extract the studio panel are discussing the rise in oil prices and - as is the show's theme - how to make money from it. Their studio guest is Joe Terranova, who appears to be a typical energy investment type (though with an incredibly expressive face!), but their phone linkup is to Matthew Simmons, Chairman of Simmons & Company International Ltd, who is one of the very few high-profile figures to have predicted the current oil price rises, and who has been raising the peak oil issue for some years now. The mismatch in their perspectives is spectacular, especially from 4 minutes in. I can't make a better comment on this than that made by the ever-insightful Nate Hagens: The CNBC video is a prime example of the juxtaposition of people's time horizons and boundaries. Simmons eloquently outlined the bigger picture of that society is facing dramatic institutional and structural change, and then the conversation was brought directly back to short term profits. June highs mean July lows, etc. The reason there is no international, national, or regional body looking at WIDE boundary SYSTEMS analysis is that there is no money in it. If the markets are designed to produce profits measured in dollars, how will the markets solve problems of the global commons? How can the viewers/guests on CNBC even begin to analyze the depth of this problem beyond how higher oil prices affect their portfolio allocations? There will come a day when a 'paradigm allocation' will leapfrog modern financial portfolio allocation. That's why the quizzical looks on those guests faces - energy and ecology are not topics ingrained in most traders pattern recognition banks. I can only hope that our next crop of national leaders surround themselves by wide boundary thinkers - to surround themselves by the current crop of salespeople will lessen our chances dramatically. And I agree with PG - this is difficult to do - to present facts about the situation as best as possible while remaining positive. What if the situation is worse than even some of the pessimists predict? The sooner we close off avenues that are dead ends, the better we can save high quality resources. Well done by Matt Simmons.