Dark Optimism is the not-for-profit public interest research, activism
and writing of Shaun Chamberlin, author of The Transition Timeline, working with
a wide network of friends and partners around the world.
We are unashamedly positive about what kind of a world humanity
could create, and unashamedly
realistic about how far we are from creating it today.
As regular readers will know, I am an admirer of the Dark Mountain Project – fellow adventurers in uncovering and reshaping the cultural stories that define us and guide our behaviour. Their manifesto is well worth a read.
So I have accepted this contribution from Dougald Hine, one of the co-founders, as my second ever guest post (the first remains one of my favourite moments of Dark Optimism). It was originally written for the Transition Network site, and we hope it will encourage you to join us at the Uncivilisation festival in a month’s time. I was at the first one last year, and it was a febrile, fertile space, pregnant with possibilities and realism. Hopefully I’ll see you some of you at the second instalment. Over to Dougald:
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How do you describe a festival whose contributors range from a poet wielding a scythe, to a former banker talking about the idea of a mortgage strike, to an ex-Wikileaks hacker who’s been rigging up improvised internet services in Afghanistan?
Robert Foster’s brilliant Rap News makes it onto Dark Optimism for the second time, with a comment on recent events featuring the likes of Hugo Chavez, Glenn Beck, Bono (“Tell China to end first world debt”) and John Pilger, as well as footage from the ongoing American revolution.
The brilliant cartoonist Marc Roberts (whose work will be familiar to regular Dark Optimism readers) got in touch with the Transition Network last year offering to produce a strip exploring the Transition concept. The time has come for the results to be unleashed on an unsuspecting public!
In Marc’s own words, “they will be loosely exploring some of the Holmgren and Chamberlin scenarios through my usual combination of toilet humour and sarcasm”.
He does himself a disservice – for me, it’s a real honour to see my work used by someone whose talents I have long admired and enjoyed.
Two cartoons will be released each week. This post will be updated with the new cartoons as they are released, and they will also go out on Rob Hopkins’ Transition Culture site and on a Transition Network blog.
The first four (+ a special message from the Inspectorate) are below. Hope you enjoy them!
What a week – Tuesday’s launch of the All Party Parliamentary Group on Peak Oil’s report into TEQs was a tremendous success, with excellent media coverage, including Time magazine, The Sunday Times, Bloomberg News, the BBC, the Financial Times and many others (linked article list). The only problem has been that the degree of interest has been such that I haven’t found a moment to write anything here – although I have been Tweeting, I feel as though I’m the last to cover it!
I have just spent an intrigued couple of hours musing over the outstanding new Common Cause report, which explores the battle over cultural values that underlies communications and marketing, while keeping one eye always on our environmental challenges.
The report has both stimulated a fair bit of controversy (as I will explore below the cut) and, excitingly, provided an answer to a question that has been bothering me for many years now, since reading Edward Bernays’ influential 1928 book Propaganda.
This is a really fantastic piece of collaboration animation on the subject of responses to climate change, from the striking opening comment on Copenhagen on through. Though as the creators freely acknowledge, the ideas behind it need a little love.
I got back from the Dark Mountain Project’s Uncivilisation festival a few days ago, and while I could write about many of the aspects of that stimulating week, one thread it really tugged on for me was the role – the critical importance – of the arts in shifting the cultural stories that shape our future.
So today I would like to highlight a few musical artists who have inspired my personal journey, and to invite you to suggest a few artists of any kind who have brought something to your engagement with the global problematique, in whatever way, and perhaps deserve a little more exposure.
The latest video from the “Story of Stuff” team is launched today. A good piece of work, although given our global context, it’s perhaps a little depressing that a message as obvious as this still needs to be pushed.
I heartily endorse his perspective, but disagree when he argues in support of carbon taxation at around fifteen minutes in, saying that “we need to make fossil fuels more expensive”. In my opinion, we do not – we need to guarantee a fair entitlement to the available energy, not ration it by the depth of people’s pockets.
As Richard says, “if you’re taxing everybody on their use of fossil fuels – raising their cost of living – it’s pretty hard to get their buy-in to that”, but once you guarantee people a fair entitlement, in line with a declining cap, society can then collectively focus on keeping the price of energy as low as possible, which is a simply-understood task that everyone can buy into with enthusiasm.
Richard is touching on a widely-unrecognised contradiction at the heart of present energy/climate policy discussions – the desire to raise carbon prices while keeping energy prices low. Market-based approaches struggle to see past this, but TEQs would resolve it at a stroke, through the recognition that reducing the quantity of carbon emissions can be best achieved by means other than a high price.
I just stumbled across this documentary (English with Dutch subtitles) following the story of the 70s/80s punk band Crass. They are still living wholeheartedly by their Do It Yourself ethos and “There is no authority but yourself” philosophy. A recommended watch.
Twitter: @DarkOptimism
